Adaptation of a Classic Movie
Imagine a world where two frenemies compete for eternal youth. The Broadway adaptation of ‘Death Becomes Her’ brings the celebrated 1992 film to life, introducing humor and inventive tricks. The story follows Madeline and Helen, played by Megan Hilty and Jennifer Simard. After a potion from a mysterious figure, their lives spiral into outrageous body horror. This show adds a contemporary twist, pushing the boundaries of what we know about musical theatre.
The film was beloved, even winning an Oscar for its effects. Would the stage version hold up? Enter illusionist Tim Clothier. Now, pressure was on. Could he translate the film’s memorable moments into captivating theater? His portfolio includes high-caliber acts with Cirque du Soleil and Blue Man Group. Clothier didn’t just want cheap tricks. The magic must enhance the storytelling instead of overshadowing it.
Clothier’s task was monumental. Performing under the lights of Broadway comes with its own unique challenges. Historical references blended with groundbreaking tricks needed to capture the audience’s imagination. How does one integrate a scene with a head rolling off while still maintaining the narrative? Surely, this was an uphill battle.
The Art of Staging Magic:
The climax of Act 1 is stunning. A dramatic showdown leads to a bone-crunching tumble down a staircase. This scene, iconic even in the original film, required innovative choreography. Director Christopher Gattelli pondered for months about how to recreate it effectively. It wasn’t just about the fall; it was about the experience.
Many methods were considered: dolls, exercise balls, even building a robot! In his search, Gattelli discovered Warren Yang. An Olympic-trained gymnast with a flair for acrobatics turned out to be the key. Finding Yang was serendipitous. Social media had revealed his talent, igniting a spark of inspiration.
The collaboration blossomed. Yang brought the vision to life with flair, incorporating handstands and a pommel horse routine. How could he spin and flip down stairs? Surprisingly, it became a moment people anticipate in every performance. It’s a spectacle that combines athleticism with pure theatrical brilliance.
Spectacular Illusions Abound
As the musical continues, illusions become even wilder. Madeline loses her head in an over-the-top showdown, while Helen faces increasingly absurd situations. Stunt doubles add layers of complexity to the performance. Clothier challenged himself to make the impossible possible.
For instance, how does one portray a blown-out stomach without showing the raw horror? The answer involved clever use of props and lighting, conjuring an illusion of injury without the gruesome reality. Smoke and other effects create an image rich in creativity and theatrical magic.
More surprises await: arrows through bellies, dramatic head rotations—each moment crafted with precision. Gattelli emphasized that while magic has a history, this show explores both old and new techniques. Audiences delight in being part of the live experience. The satisfaction of witnessing it unfold adds depth to their enjoyment.
Behind the Scenes of Magic
Gattelli emphasized teamwork is crucial. Putting on a show involves a multitude of people working seamlessly together. An hour before the curtain rises, cast and crew prepare, practicing every stunt and illusion. Being a performer here isn’t just acting; it requires thorough training and preparation.
No one in the team ever assumes anything. As they work together, confidence builds, allowing performers to let loose on stage. In a sense, the safety and reliability built behind the scenes create space for hilarious performances. Every night, the audience is treated to something extraordinary.
To witness the magical blend of choreography, illusions, and humor is a genuine treat. ‘Death Becomes Her’ reminds viewers what makes theatre enchanting. Humor, drama, and fantastical illusions come together in an energizing, vibrant blend. This production should not be missed as it sets a new standard for Broadway magic.
